Great Expectations (1946)  The Criterion Collection

Director: David Lean



    * United Kingdom
    * 1946
    * 118 minutes
    * Black and White
    * 1.33:1
    * English
    *  
    * Spine #31

SYNOPSIS: One of the great translations of literature into film, David Lean’s Great Expectations brings Charles Dickens’s masterpiece to robust on-screen life. Pip, Magwitch, Miss Havisham, and Estella populate Lean’s magnificent miniature, beautifully photographed by Guy Green and designed by John Bryan.

Great Expectations reveals a director free of any stage conventions and relishing his craft. The opening of the film has been studied for years and is held up as an exemplar of film editing. But it is also a brilliant synthesis of location shooting (the pan across the marshes with their lonely gibbets) with a studio set (graves with a back-projected church and looming sky), in which the hero, Pip, has his first fateful meeting with the fearsome Magwitch.

Straight from the first two pages of Dickens, Pip’s narration and his description of the graveyard is so thick with detail that the shock of the criminal is diminished. It takes a movie, and a visual stylist like Lean, to translate this into pictures. From the very start, Lean brings Great Expectations close to the horror film—and the scene has been copied in horror films ever since.

The scenes in Miss Havisham’s decaying, petrified, and cobwebbed house show a similar Gothic concern, a heightening of Dickens’ already vivid description. These scenes also influenced horror movies, as well as Billy Wilder’s Sunset Boulevard, with its embittered Norma Desmond living in a musty mausoleum and contriving disaster amongst the emotional lives of the young.

Media Info:
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